{"id":9529,"date":"2021-04-29T00:20:27","date_gmt":"2021-04-29T00:20:27","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=9529"},"modified":"2021-04-29T00:20:27","modified_gmt":"2021-04-29T00:20:27","slug":"baroque-architecture-definition-characteristics-history-examples","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/art\/architectural-history\/baroque-architecture-definition-characteristics-history-examples\/","title":{"rendered":"Barok Mimari: Tan\u0131m, \u00d6zellikler, Tarih\u00e7e ve \u00d6rneklerine Dair Bir K\u0131lavuz"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Barok Mimari: Tan\u0131m, \u00d6zellikler, Tarih\u00e7e ve \u00d6rneklerine Dair Bir K\u0131lavuz<\/h2>\n\n<h2 class=\"wp-block-heading\">Barok Mimari Tan\u0131m\u0131<\/h2>\n\n<p>Barok mimari, 17. y\u00fczy\u0131lda \u0130talya&#8217;da ortaya \u00e7\u0131kan g\u00f6rkemli bir yap\u0131 tasar\u0131m\u0131 ve sanat tarz\u0131d\u0131r. Karma\u015f\u0131k s\u00fcslemeleri, ihti\u015fam\u0131 ve \u0131\u015f\u0131k ve g\u00f6lgeyi dramatik kullan\u0131m\u0131yla karakterize edilir. Barok tarz\u0131 binalar genellikle karma\u015f\u0131k detaylarla, kavisli duvarlarla ve g\u00f6steri\u015fli i\u00e7 mekanlarla s\u00fcslenmi\u015ftir.<\/p>\n\n<h2 class=\"wp-block-heading\">Barok Mimari \u00d6zellikleri<\/h2>\n\n<ul class=\"wp-block-list\">\n<li><strong>B\u00fcy\u00fck kubbeler:<\/strong> Kubbeler, Barok mimarisinin belirgin bir \u00f6zelli\u011fiydi, genellikle binalar\u0131n merkezine yerle\u015ftirilir ve mimari detaylar\u0131 vurgulamak i\u00e7in pencerelerle ayd\u0131nlat\u0131l\u0131rd\u0131.<\/li>\n<li><strong>S\u00fcsl\u00fc motifler ve s\u00fcslemeler:<\/strong> Barok binalar, karma\u015f\u0131k oymalar\u0131, heykelleri ve resimleriyle bilinir. Bu motifler genellikle insan, hayvan ve bitkisel formlar\u0131, k\u0131vr\u0131mlar ve \u00e7elenklerle birle\u015ftirir.<\/li>\n<li><strong>\u0130\u00e7 ve d\u0131\u015f mekanlarda yald\u0131zl\u0131 heykeller:<\/strong> Z\u0131t renk ve dokulara sahip al\u00e7\u0131 veya mermer heykeller, Barok i\u00e7 ve d\u0131\u015f mekanlar\u0131n\u0131n ihti\u015fam\u0131n\u0131 artt\u0131rmak i\u00e7in kullan\u0131l\u0131yordu.<\/li>\n<li><strong>G\u00f6z al\u0131c\u0131 \u00f6zellikler:<\/strong> Barok mimari, kavisli duvarlar, freskler, s\u00fctunlar, heykeller, kemerler, ni\u015fler, \u00e7e\u015fmeler ve k\u0131r\u0131k al\u0131nl\u0131klar da dahil olmak \u00fczere \u00e7e\u015fitli dikkat \u00e7ekici unsurlar i\u00e7erir.<\/li>\n<li><strong>\u00c7ift e\u011fimli mansard \u00e7at\u0131:<\/strong> Bu \u00e7at\u0131 tipi, Frans\u0131z Barok mimarisinin \u00f6nemli bir unsurudur, iki e\u011fimden olu\u015fur ve genellikle \u015fatolara ve k\u0131r malikanelerine dahil edilir.<\/li>\n<li><strong>I\u015f\u0131k ve g\u00f6lge kontrast\u0131:<\/strong> Barok mimarlar, dramatik efektler yaratmak i\u00e7in \u0131\u015f\u0131k ve g\u00f6lge kulland\u0131lar. Chiaroscuro olarak bilinen bu teknik, Caravaggio, Rembrandt ve Peter Paul Rubens gibi sanat\u00e7\u0131lar taraf\u0131ndan Barok resimde de kullan\u0131lm\u0131\u015ft\u0131r.<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Barok Mimari Tarihi<\/h2>\n\n<p>Barok mimari, Protestan Reformu&#8217;na ve Katolik Kilisesi&#8217;nin g\u00fcc\u00fcn\u00fc ve servetini sergileme arzusuna yan\u0131t olarak ortaya \u00e7\u0131kt\u0131. Yeni takip\u00e7ileri \u00e7ekmek ve himayeyi yeniden tesis etmek i\u00e7in g\u00f6rkemli kiliseler ve katedraller in\u015fa edildi. Stil, Avrupa ve G\u00fcney Amerika&#8217;ya yay\u0131larak farkl\u0131 b\u00f6lgesel tercihlere ve malzeme bulunabilirli\u011fine uyum sa\u011flad\u0131. Barok mimari nihayetinde 18. y\u00fczy\u0131l\u0131n sonlar\u0131nda Neoklasik d\u00f6neme yol a\u00e7t\u0131.<\/p>\n\n<h2 class=\"wp-block-heading\">Barok Mimari \u00d6rnekleri<\/h2>\n\n<ul class=\"wp-block-list\">\n<li><strong>Roma, \u0130talya&#8217;daki Santa Susanna Kilisesi:<\/strong> 1603&#8217;te yeniden in\u015fa edilen bu kilise, s\u00fcsl\u00fc bir cephesi ve i\u00e7 mekan\u0131yla \u0130talyan Barok mimarisinin \u00f6nemli bir \u00f6rne\u011fidir.<\/li>\n<li><strong>Vatikan&#8217;daki Aziz Petrus Bazilikas\u0131, \u0130talya:<\/strong> Bu g\u00f6rkemli bazilika, Barok ve R\u00f6nesans mimarisinin unsurlar\u0131n\u0131, g\u00f6rkemli bir kubbe ve g\u00f6steri\u015fli i\u00e7 mekanlarla birle\u015ftirir.<\/li>\n<li><strong>Versay Saray\u0131, Fransa:<\/strong> Geni\u015f Versay Saray\u0131, g\u00f6steri\u015fli Barok i\u00e7 mekanlar\u0131yla bilinir ve mimari, sanat eserleri ve mobilyalarda karma\u015f\u0131k detaylar bulunur.<\/li>\n<li><strong>Napoli yak\u0131nlar\u0131ndaki Caserta Kraliyet Saray\u0131, \u0130talya:<\/strong> D\u00fcnyan\u0131n en b\u00fcy\u00fck saray\u0131 olan bu g\u00f6rkemli yap\u0131, Barok bah\u00e7eler ve \u00e7ift e\u011fimli mansard \u00e7at\u0131l\u0131 g\u00f6rkemli bir i\u00e7 mekana sahiptir.<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Barok Mimari Hakk\u0131nda S\u0131k\u00e7a Sorulan Sorular\u0131n Cevaplar\u0131<\/h2>\n\n<ul class=\"wp-block-list\">\n<li><strong>Barok ve Rokoko mimari aras\u0131ndaki fark nedir?<\/strong> Rokoko, Barok&#8217;tan ortaya \u00e7\u0131kan daha sonraki bir stildir ve daha hafif ve daha e\u011flenceli s\u00fcslemeleriyle karakterize edilir.<\/li>\n<li><strong>Barok binalar\u0131n \u00f6nemi nedir?<\/strong> Barok binalar, \u00f6zellikle kiliseler ve saraylar, genellikle zenginlik, g\u00fc\u00e7 ve dini ba\u011fl\u0131l\u0131\u011f\u0131n sembolleri olarak g\u00f6r\u00fcl\u00fcyordu.<\/li>\n<li><strong>Barok mimari \u00e7a\u011fda\u015f tasar\u0131m\u0131 nas\u0131l etkiledi?<\/strong> Karma\u015f\u0131k s\u00fcslemeler ve \u0131\u015f\u0131k ve g\u00f6lgenin dramatik kullan\u0131m\u0131 gibi Barok mimari unsurlar\u0131, modern mimarlara ve tasar\u0131mc\u0131lara ilham vermeye devam ediyor.<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Barok Mimari: Tan\u0131m, \u00d6zellikler, Tarih\u00e7e ve \u00d6rneklerine Dair Bir K\u0131lavuz Barok Mimari Tan\u0131m\u0131 Barok mimari, 17. y\u00fczy\u0131lda \u0130talya&#8217;da ortaya \u00e7\u0131kan g\u00f6rkemli bir yap\u0131 tasar\u0131m\u0131 ve sanat tarz\u0131d\u0131r. Karma\u015f\u0131k s\u00fcslemeleri, ihti\u015fam\u0131&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1854],"tags":[13835,12194,13837,6508,297,104,13836],"class_list":["post-9529","post","type-post","status-publish","format-standard","hentry","category-architectural-history","tag-baroque-architecture","tag-building-design","tag-grandeur","tag-light-and-shadow","tag-architecture","tag-art-history","tag-ornamentation"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/9529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=9529"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/9529\/revisions"}],"predecessor-version":[{"id":9530,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/9529\/revisions\/9530"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=9529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=9529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=9529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}